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Anah

Spiral…

There is some thick competition for the Female Hooper this year, with a very deserving field. I consider each of these women friends and any one of them could win.

Beth is one of the most skilled, precise, flowing and humble hoopers in the world. Anah has greater control of her hoop than any other person I’ve ever seen on top of being a catalyst for this whole thing. Shakti is beautifully fluid, precisely choreographed, and innovative as hell. Brecken is a game changer, tearing down walls, and is quite possibly the sickest hooper I have ever seen.

The reasons behind my approaching Spiral to partner with me on Hoop Technique continue to be the reasons I’m stoked to be working with her today and the same reasons that she’ll be receiving my vote for Female Hooper of the Year.

Spiral has shaped so much of our community so thoroughly that many of the traits we just think of as modern hooping come directly from her creative input.

Spiral was the first person recognizing the strength of smaller lighter hoops, sparking the downsize race. We’ve all been following her lead on this since. She was the first person to research new plastics for regular hoops (which I later shared openly on Isopop.)

Spiral brought hooping to North Carolina. She and Jewels started the community in Carrboro that was later shaped by Bax to include the Hoop Path. The Hoop Path has since become one of the most influential forces in the hooping world and in my own personal hooping. Referring to the Hoop Path metaphorical mountain, Bax references Spiral as the top of that mountain. I’ve felt that way for years. At the last SF HP workshop, Bax talked about how he and Spiral created Warrior Style hooping, jamming for hours in his backyard and during long, late nights at the gym. That Warrior movement style has become the base of national tour and continues to be one of the sickest styles of hooping.

Dynamic stalls were created by Spiral shortly after she and Jewels concurrently gravitated towards sustaining spins within the hoop, attending a Sufi workshop together and posting the videos that coined the term. These moves were paired with with full, flowing skirts and popularized to the greater community by Spiral. Since, these movement ideas have infiltrated the entire community and are staples of modern hoop dance. They are beautiful techniques creating an amazing optical illusion that has inspired many.

On top of all this, she has invested herself deeply into the pursuit of hooping as a serious modern art. This isn’t just something she pursues for herself but as a way to legitimize what all of us do to the wider community. She literally trains 4 hours a day. She continues to expand upon hoop vocabulary by integrating acrobatics into her acts in non-traditional ways. I don’t believe there is another person who has put more hours into their practice than she has.

The pursuit of the legitimization of hooping as a modern art is what we founded Hoop Technique around. This principle is the single strongest guiding force in our vision. I’m honored that she has chosen to include me in her pursuit of this goal. We’ll see where this takes us…. regardless I’m confident and happy with my vote this year.

Don’t forget to place your vote on Hooping.org: here

Movement Play – “The Show Off Show”

At Movement Play on Saturday we had “The Show Off Show”. I’m not sure if I wanted to participate or if it preferred to be a passive observer but Rosie asked me to do it and I was easily swayed. I was ambivalent about performing but a little nudge and I was on board.

Apprehensively, I signed myself up on the little clip board. My apprehension stemming from the insane level of talent that had participated the year before. This talent show was not not your average talent show; nearly all the participants were professional performers sharing their skill. On top of that, I’m at a “micro-festival”, as Rosie likes to call it, full of hoopers. I had the feeling that me hooping for hoopers at a talent show, at a hoop festival was just a little arrogant and performing for Anah, Christabel, Rosie, Jasmine, Dawn, Jamie and many of the other hoopers that I hold in high regards, always ups the anxiety level. Despite that, Anah and Rosie performing helped me give myself the permission to put all the internal dialogue aside and I went for it.

Then I had to decide what to perform with?!? One full-size hoop? Double minis? Double mini fire hoops? The obvious choice seemed a full size single and demoing all the isopop stuff. I know others love to see that but I feel it would be limiting to continue performing that realm of movements all the time. I’ve been very into my double mini’s lately, especially the moves I call “unified axial isolations”. I want to share that stuff. I’m also really into these linear isolations that I can’t do very well but conceptually excite me. Then again…. I could firehoop. Crowds love fire. It’s a crowd pleaser every-time. It’s not my passion though. In the end, I decided to start with double minis for the first two minutes, then move on to a single hoop.

I chose one of my favorite tracks, Cockney Violin by Caspa. It’s an older track with an asian violin and heavy dub baseline, perfection if I’ve ever heard it. It’s melodic with the whomp that makes me move with passion.

As it came time to perform, I warmed up outside the performance area. I’ve recently found that I perform best when I keep my mind completely off the fact that I’m going to be performing. I ignore all aspects other than knowing when I go on. This time, the order got switched up and Rosie called me up one act ahead of time. It actually worked well for me because I had no time for nerves. I yanked my shirt off and ran on stage, having not even planned the exact placement of my hoops for the transition from doubles to single.

As I stepped on stage, my hooping went into autopilot. I’ve repeated every single motion 1000′s of times now. It feels funny that on stage I felt no flow and I almost didn’t feel the hoop. I was aware of the audience and that I was guiding the motion of the hoop. The intricacies of the moves disappeared completely. I’ve heard people talk about how they channel a higher energy while performing. This is the closest I’ve come to that feeling though autopilot is a more exact description of my experience.

When I stepped off stage I didn’t really know how the hooping went. I was aware that I had evoked a strong audience reaction and that I pulled everything off but it all felt mildly disconnected. I immediately went to Lauren. Lauren always holds the outside perspective for me. Without her, I couldn’t do anything. So when she said I nailed the performance I knew it went well. Lauren said the performance was the best she’d ever seen me do. Christabel and others said the same.

It was surreal and exciting experience. Each new performance gives me new insight to what it means and what it takes to perform. I always feel an indebtedness to my audience for them allowing me to perfrom and I strive to live up to that. I’m stoked that this time I did.

Northwest Hoop Gathering in just over a week!

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FLOW is right around the corner. If you’re planning on coming GET YOUR TICKET NOW! The button above will send you to Mollie, “HoopDazzle’s”, purchase page. For information on all the presenters, look here.

Schedule of Events:
FRIDAY, APRIL 10TH

· Arrive by 5pm at Summit High school. Check in until 5:30pm

· 5:30-6pm Introductions

· 6pm-8:30pm The Hoop Path Workshop with Baxter and Ann

In the first half of this extended inaugural workshop, Baxter will guide us towards Opening ourselves to the Way of Flow, exploring techniques that will clear a path in us so that we can experience this potentially transcendent force. Using his expertise as a group facilitator, Baxter will walk you closer to that quiet place within that is ready to both receive experience as well as listen to your own unique internal muse.

In the second half of the shop, Ann will lead us in the delightful play of Vertical Rolling, an off-body technique in which the hoop remains for the most part perpendicular (as opposed to horizontal). Off-body hooping can be a welcome break from the rigors and habits of core hooping, and it is also, incidentally, loads of fun. We will begin with a single hoop and slowly work our way up to two! Even if you’ve never hooped twins, you can enjoy some fun two-hoop play off-body in this workshop. Fear not, Yes You Can hoop with twins!

SATURDAY, APRIL 11TH

· 10:00-11am arrival/vending

· 11am-1pm SPIRAL

The Fabric of Flow:

Effort, intention, shape, weight, space, time, Flow. Using ideas of movement theory combined with hoop-specific exercises, we’ll explore beyond the idea of Flow as simply continuous movement and seamless transitions and look at different facets of initiating movement that imbue hoop Flow with emotional depth and stylistic range

· 1-1:30pm Break There will be lunch available for sale there or bring your own.

· 1:30-2:15pm FLOW PANEL DISCUSSION

· 2:30-4pm RICH

Diagrammatic Hooping: This class will explore moves through looking at the hoop’s relationship to space rather than the hoop’s relationship to the body. We will focus on the geometric patterns created by isolations and anti-spin. You will learn basic anti-spin, anti-spin quadrants, isolation variations, isolation transitions (isopops & isobreaks), and working with different isolated points. We”ll build off these elements to introduce concepts in creating high-contrast motions and explore the visual patterns created by the hoop. Once we learn these different geometries, they can be combined to create new interesting flow patterns.

· 4 to 5:15pm CANDICE

What Moves You Matters! Join Candice Schutter, Nia Black Belt & Life Coach, for a massive group coaching circle! Candice will lead us on a somatically-guided visualization journey to dialogue with the Radiance Within. We will spend time intimately connecting with what moves us, activating our most brilliant potential. The workshop will include journaling, hooping, and community interaction. Dive deep, connect to the truth, and send your life soaring.

· 5:30-7pm CHRISTABEL

Amplify Your Creativity with Floorplay and Zoom Hoops:
The seminar with has two parts: floorplay and ecstatic dance with micro twins. During the first hour, you will learn how to comfortably floordance while hooping (with a regular sized hoop). Explore how to maneuver expressively on muscle and soft tissue while pivoting, sliding, rolling and whirling. Surrender to the floor as a supportive dance partner. Achieve flow by allowing a rigid surface to relax tension. Part two of this seminar is an ecstatic dance experience with twin micro hoops! The purpose of Zooms is to create sacred geometries and other shapes for contemplation. They are tools for movement meditation as opposed to tools for fancy, athletic or high impact tricks. Zooms invite introspection and prayerful dance. Play with a variety of handholds and shapes. The goal is to use the smallness of the hoops to spark creativity in your dance. Bring: kneepads, your regular hoop and your own pair of 21-25 inch micro hoops or pre-order both to pick up at the retreat by emailing admin-AT-hoopgirl-DOT-com by April 5. There will also be a limited number of pairs on site for sale.

· 9pm-1am GHET DOWN DANCE PARTY. Enjoy getting to know everyone and groove the night away with a few of our f favorite local DeeJays who put the whomp in whomp whomp. This is a NO HOOP event, yeppers, that’s right. Show off your dance skills instead! Feel free to come as you are in the most outlandish attire or simply come in what feels good on your body. No host bar.


SUNDAY, APRIL 12TH

· 11-12:15 KHAN

This workshop presents a philosophical categorization of different hoop techniques. As such, the focus will not be on how to do specific moves, but will instead concentrate on theory and concepts of movement and how the conscious application of these can open up our flow. The goal is to help the hooper more easily click into flow, and to break out of ruts and plateaus. Participants should bring a small notebook or pad and something to write with in addition to their hoops.

· 12:30PM-2:00 PHILO

In the world of flow and hoop dance our legs are often forgotten, relegated to the steadfast and quiet role of simply keeping us standing or turning, possibly breaking out on rare occasions for a special trick and then being left behind. In this workshop we’ll be focusing on the wonder that is our legs and maximizing the contact of our hoop with them, in various ways, bringing our legs more fully into our hoop dance and hooping experience and creating greater balance within ourselves.

· 2PM-4PM ANAH

There are so many different ways that people enjoy the hoop. Meditation, yoga, performance art, dance, exercise, sensual awakener, business and probably many more that I don’t even now about! The hoop is like a blank canvas in which you can express and create whatever you wish! This workshop will help you expore your own personal skills and take them to the next level. Put THE DANCE IN YOUR HOOPDANCE!!! OH, YEAH!

4pm-5PM Massive Jam and closure of the weekend of FLOW.

Inquire about individual workshops or pay-by-the-workshop offerings in case a whole weekend of hooping isn’t in your time frame.

Contact mollie@hoopdazzle.com before April 8th.